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01 October 2017
The Casting Directors’ Association’s Shakyra Dowling, Tree Petts and Andrea Clark share their thoughts on current casting practice and Equity’s Manifesto for Casting
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01 July 2017
Guy Woolf is an actor and a drag queen called Elektra Cute. Here, he discusses modern variety, the Spice Girls and what he feels is the greatest challenge facing the arts
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01 May 2017
“Can your career get a boost through posting your musings to social media?”, asks communications coach Matt Guarente, as Equity agrees guidelines for social media use for members working in the theatre
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01 May 2017
Casting director Manuel Puro outlines the best approaches to self-tape auditions as Equity launches an online video to help guide members through the basics
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01 May 2017
Comedian Jimmy Cricket is a variety star. He worked as a Butlin’s Redcoat, honed his craft on the northern club circuit before breaking through to TV. And he’s not finished yet
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01 February 2016
Actor and rapper Riz Ahmed is a busy man. Aside from his successful musical work he has carved out a career in a series of indie hits such as Four Lions and Nightcrawler. He is soon to appear in the new Star Wars film: Rogue One
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01 February 2015
Equity secured £3.7m for stage manager Rachael Presdee after she was paralysed following a preventable accident at Soho Theatre. Here she tells her story and calls for greater viligance on health and safety
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01 October 2014
Francesca Martinez is a comedian, actor and writer. She has cerebal palsy, but prefers the term “wobbly” and believes that broadcasters should stop standing in the way of talented people with a difference.
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02 February 2012
Sally Hawkins needed Equity’s help when she was injured on a film set and the insurance company refused to pay. Here, she recalls the incident and also reflects on the positive side of the movie business
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19 October 2020
Save Union Learning! Save FEU Training! Sign the petition! Share on Social Media! Tell us your experience
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09 July 2020
Paul W Fleming will take over from the current General Secretary Christine Payne in October
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05 July 2020
Our question to Government is - how will this investment directly protect and preserve creative workers?